The Heard Museum presents Josef Albers in Mexico through May 27. The exhibition demonstrates the influence and connectivity between the work of Josef Albers (German, 1888-1976) and the abstracted geometric vocabulary of pre-Columbian art, architecture and material culture. The Heard Museum is the third and final stop of the exhibition which opened in New York in 2017 then traveled to the Peggy Guggenheim Collection in Venice in 2018.
Josef Albers in Mexico is organized by the Solomon R. Guggenheim Foundation, and curated by Lauren Hinkson, associate curator of collections at the Guggenheim in New York. Drawing from the collections of the Solomon R. Guggenheim Museum and the Josef and Anni Albers Foundation, Josef Albers in Mexico presents an opportunity to learn about a little known aspect of the artist’s practice and the influences he absorbed in his travels.
“Through his close attention to ancient architecture, Josef Albers developed new modes of seeing the modern world,” says Lauren Hinkson. “This exhibition of his celebrated paintings, along with lesser-known photographs and collages, reveals the complex and often surprising roles of place, time and spirituality in Albers’ body of work.”
Included in the exhibition are rarely seen early paintings by Albers, including Homage to the Square and Variant/Adobe series, works on paper and a rich selection of photographs and photo collages, many of which have never before been on view. The photographic works reveal a visual conversation Albers created in response to his frequent visits to Mexico to view archaeological sites as early as the 1930s, illustrating the nuanced relationship between the geometry and design elements of pre-Columbian monuments and the artist’s iconic abstract canvases and works on paper. Accompanying the artworks are a series of letters, personal photographs, studies and other ephemera.
Josef Albers was born in Bottrop, Germany, in 1888 and was a fixture at the pioneering school of art, architecture and design, the Bauhaus, until its forced closure by the Nazis. Albers and his wife, Anni Albers (1899–1994), an accomplished artist and textile designer, relocated to the United States in 1933, where he first accepted a position as head of the department of art at Black Mountain College outside of Asheville, N.C., a position he held until 1949. He then went on to be the head of the design department at Yale University in New Haven, Conn. Josef and Anni Albers traveled often to Latin America with particular interest in Mexico – visiting the country more than a dozen times from the 1930s to the 1960s. Albers’ fascination with the visual culture of Mexico left an indelible mark on his own artistic production and methodology, with sites like Teotihuacán, Chichén Itza, Monte Albán, and Mitla resonating within his paintings and stimulating new experiments in his photography.
Josef Albers in Mexico
Through May 27
Heard Museum, 2301 N. Central Ave., Phoenix
For more information, visit heard.org.